When acts are unspeakably “appalling”.

In this novel, available here, published in 2002, I could be describing the antics of Kappa Beta Phi -recently exposed in the Daily Mail. A secret society if ever there was one.

“…And so, I urge you all to strive for but one thing.  To be above the world and its petty causes.  Treat its beliefs with contempt.  Nothing is as advertised.  When acts are unspeakably “appalling” they are perpetrated with a nice impunity.  And this is simply, simply because no ordinary, decent, common being can believe that such enormities could ever have been plotted. 

          In truth, it is easier to get away with big crimes than with little ones.  Therefore I will finish this, my brief sermon, by saying unto you, Be outrageous.  This should be the motto of the fine Cisnegro.  Fleece them all!  I give you the ship.”

Danny Tango obliviob in blue

This is a quote from Oblivion, a novel about the Tango, published by Grey Suit Editions.

The quote is taken from an inaugural speech given by the leader of an international cabal of influential crooks dedicated to their domination of the planet.  The speech is given on board a massive liner, the Cisnegro – which provides them with an HQ in international waters.   Here is the full text of the speech:

“Gentlemen, ladies, pirates, nymphs and satyrs, on the eve of our first Bacchanalia, allow me to propose a toast, a toast to the Cisnegro, and to all who sail on her on this, her virgin voyage.  What a marvel she is!  What a treasure trove of facilities!  Most of you will have taken advantage of the reclining seats in our planetarium. Some of you may have already discovered that our bordello has been replenished.  Other treats are in store, and, from what I gather, everyone’s onshore ventures seem to be prospering, unaffected by paltry devaluations, since we attend to our own banking in zones safe from such vulgarities as pessification.  We keep in touch with our business interests in the e-chamber, and, truth to tell, we are better suited to influence world markets here than we would be even in Switzerland.

Here, there are scant regulations, few proprieties, and no taxes!  So let us delight in disorder.  The Cisnegro, after all, might be called the flagship of anarchy.  Look about you.  Look at the busts of our heroes sculpted in porphyry, look at the sumptuous riot of our vines, look at the widening fans of our pliant palmettos, the sparkling of our precious stones.  All tokens of unbridled zest.  Here we have the acme of extravagance, the apex of indulgence and cupidity.  Yes, and I truly believe, after meditation on the subject, that ours is the one truly liberated enterprise.  In the public world, the term ‘free trade’ entails a host of disclaimers.  We make no apologies, offer no excuses for our celebration of self-interest.  Those weaker than we may band together in order to indict us, may call what we engage in illegality, but we, we do not shy away from their nomenclature.  No, we embrace it.  We acknowledge it here, secure on our floating estate, and indeed we may as well congratulate ourselves on the success of our venture, and therefore glory in our victory.

Victory, yes, for the fact of the matter is that criminality always has the upper hand.  This is what has enabled us to fit out the Cisnegro.  Our good ship is the spider at the centre of our world wide web.  A web of deceit, of treachery, yes, and of unlimited power.  The strands of its inter-knit mesh reach to the hearts of governments, multinationals, military establishments.

And what is the secret of all this?  Listen.  I will tell you all of just one little incident.

When our Serbian colleague arrived on board, he proceeded to take an intense dislike to our beloved Cardinal’s attire.  We were between Rio and Panama.  He drew his gun and took a shot at him, right here where we are gathered.  Luckily the shot was deflected and only hit the chandelier.   I remonstrated with our fiery confederate.  Listen, I said, the Cardinal’s robe, your patriarch’s beard, the Ustasha dressed in jack-boots, Imr’s turban or Felix’s skull-cap, what are these to us?  Only the dross has faith in such fancy dress.  These belief systems, they are like… like the foliage in some painting by Manet, no more than a cheap backdrop.

You think the pharaohs believed in immortal life?  No, they believed in being on top.  Getting shoals of fools to build the pyramids, the pyramids that put them at the top, just required a little mumbo-jumbo.  Funny hats and turbans work for us!

Then Señor Longhi spoke.  As I recall, he put it like this.  You lik-a the uniforms an you all gotta grudges.   Gimme yor beret, you I vill give my beretta.   Randolph, you see, now ‘e can ‘ave Benjamin’s cap.   General Quincy, ‘ere, take Imr’s turban.  Imr, ‘ave his military visor!  Then we all laughed.

We like to laugh.

Yes, my friends, the Chinooks and the jump-jets touch down here and take off.  Brilliant deals are done at these amicable tables.  Never was there a more intrepid band of devious Argonauts.  Over there the leader of one fanatic cult is accepting a billion dollar contract put to him by an investigative bureau.  Call it gunboat conspiracy.  The burning of the Reichstag, the bomb in Bologna Station.  These are our emblems, their anniversaries being ours to celebrate.

And so, I urge you all to strive for but one thing.  To be above the world and its petty causes.  Treat its beliefs with contempt.  Nothing is as advertised.  When acts are unspeakably “appalling” they are perpetrated with a nice impunity.  And this is simply, simply because no ordinary, decent, common being can believe that such enormities could ever have been plotted.

In truth, it is easier to get away with big crimes than with little ones.  Therefore I will finish this, my brief sermon, by saying unto you, Be outrageous.  This should be the motto of the fine Cisnegro.  Fleece them all!  I give you the ship.”

Oblivion is available from Grey Suit Editions in the UK, 33 Holcombe Road, N17 9AS – £10 + £2 postage -or through the website.

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Review of SILENT HIGHWAY

I am very pleased with this review for Silent Highway in STRIDE!

042408_blackfriars_bridge01

Link here to details – https://anthonyhowell.org/SILENTHIGHWAY_000.htm

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Click Links!

images

Art is not created in a vacuum.  If you click on the “Links” link on my website (anthonyhowell.org)  you get to artists, poets, musicians and film-makers I admire as well as to a variety of my own interests.

http://www.anthonyhowell.org/Links.htm

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Recording for the Archive

Went to North Acton to a recording studio back in January 2015, to record an hour of my poetry for The Poetry Archive.  I read two long poems (Silent Highway and Dancers in Daylight) and then several shorter poems.  What a great resource the Archive is.  I feel honoured to have been invited to record.

Home

And now all the poems are available, some for free, some for a modest price.  Here is one of them:

Lakenheath

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The T. S. Eliot Prize

Eliot_at_1903

Click on the image for the link to the Fortnightly article, published back in 2015.

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LEARN TO DANCE ARGENTINE TANGO

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with Anthony and Fay on Friday Nights

at The Room 33 Holcombe Road, Tottenham Hale, N17 9AS

Tango Fun and Exercise 8 – 9 pm –All levels –  This is a class which focuses on giving students a sequence of exercises for musicality, footwork, the body spiral and the technique of moving neatly with your partner.  Many of the exercises are really enjoyable to work on together.  It’s a valuable class for beginners and more advanced dancers who would like to brush up on their skills. Beginners, come and start having fun exploring this rewarding dance!   Experienced dancers, come and improve your axis.  £30 for six lessons, paid in advance on first lesson.  £7 drop in.

Fierce Tango  – 9 – 10.00pm – FREE practica till midnight –Level –advanced/intermediate.

Here experienced tango dancers may hone and extend their skills, paying close attention to detail as well as taking on new challenges. The standard for Fierce Tango will be pitched to the more advanced in the class but the mechanics of the action will be clearly explained.  Participants will be encouraged to give reciprocal help and support to each other so that all can improve their style and technique in a friendly and relaxed atmosphere. Guest teachers will be invited sometimes and there will be opportunities for sharing. Issues raised by workshop members will be considered as tuition targets.

£30 for six lessons, paid in advance on first lesson. £7 drop in  (you only pay for the lessons you attend).

£40 for both classes six session deal (12 classes).  £10 drop in if you do both classes on any one night.

Please ring Anthony 0208 801 8577 before your first visit, as sometimes the class is cancelled when another event intervenes.

Tango at the Room

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Fantasiestucke Movements 1, 2 and 3 performed for Schumann Bicentennial

Tango Schumann (Lindi De Angelis and Anthony Howell) performing in Zwickau for the Schumann Bicentennial 2010.

Movement 1

Z1

Movement 2

Z 2nd1

Movement 3

Z 3rd m 2

 

Schumann saw his music as articulating emotion.  We worked very hard to discover the content in these movements, sensing depression in the first movement, playful flirtation in the second movement and a terrific argument in the third.

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Grey Suit: Poem Stream

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This is a page on Facebook for poems chosen by myself, Kerry-Lee Powell and Pamela Stewart.

Grey Suit: Poem Stream

The page is just for poems, which may attract occasional comments. So it is a stream which may easily be recycled by poems previously shown being copied and pasted back in. The stream is a wheel, like the Milky Way – an expanding wheel of verse.

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Tango Schumann – Negative Time 2014

ikon_still

Anthony Howell and Lindi De Angelis perform Negative Time:  Three Movements to Classical Music

1 Eric Satie – Tres Gymnopedias No. 1, Cécile Ousset/2  Claude Debussy – D’un cahier d’esquisses, Jean-Efflam Bavouzet/3 Alexander Scriabin – Prelude Op. 16, no 1, Vladimir Horowitz

Then a tango to a Jazz Impression – Duke Ellington orchestra – Isfahan 

Like ‘negative space’, negative time suggests that form is created by what is missed out.  Each dance in this series misses out some usually included ingredient in the art of tango – that is the art of leading and following in time.  The ingredients jettisoned are connection, contact, and thirdly development.  Finally all the ingredients come together in a fourth dance to the jazz impressionism of Duke Ellington.

Here are the links:

Negative Time at Ikon, Birmingham, wall installation by David Tremlett

Isfahan at The Room

isfahan_room

 

More of our performances, including Schumann’s Fantasiestucke 1, 2 and 3 – danced at Zwickau (Schumann’s birthplace) for the Schumann Bicentennial – can be found on our website

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Silent Highway

Easier to order through Anvil than Amazon. I have added a link.

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A poem about the Thames by Anthony Howell, published this Autumn by Anvil Press Poetry

Silent Highway Anvil

  • Paperback:96 pages  £7.66
  • Publisher:Anvil Press Poetry (28 October 2014)
  • ISBN-10:085646452X
  • ISBN-13:978-0856464522
  • Product Dimensions:6 x 13.8 x 0.8 cm

Order here

The centrepiece of ‘Silent Highway’ is the title-poem which celebrates the role of the river Thames in the life of London. It is written as a sequence that looks at history and the present: from Pocahontas’s voyage to the arrival of the ‘Windrush’ bringing immigrants from Jamaica, the mysterious death of Roberto Calvi and the ‘Marchioness’ disaster, via the Fire of London and many incidents in which the river has been spectator or participant.

Howell’s mix of verse styles and skill with cameos ensures that interest never flags. In other poems he demonstrates his pleasure in avoiding the predictable and in writing on a wide variety of subjects. Among the…

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