To Sir Charles Sedley

Sir Charles Sedley by Godfrey Kneller

Tame as we may appear to be, Brits are good at

Anarchy. Much appreciated are the japes

Perpetrated by St Trinian’s and the training

In revolt offered by that riot-prone establishment.

The Pistols got it right, and rough music

Spurs our charivari on – epitomised by Punch

And Judy. Fuck the system. Turn things upside-down.

Beat your pots and pans. Go rampaging

Through the streets. Scandalise the magistrates.

Model your role on that “Merry Gang”

That included Rochester and Sedley.

From the balcony of Kate’s Tavern in Bow,

Sedley, Buckhurst and Sir Thomas Ogle

Shocked and delighted a crowd below

With their blasphemous and obscene frolics.

Sedley “showed his nakedness” – according to Pepys.

As it were from thence preaching

A mountebank sermon from a pulpit,

Sedley said he was there sell such a powder

As should cause all the cunts in town

To run most hotly after him.

He masturbated openly to prove it.

That being done, he took a glass of wine

And washed his prick in it.

Then drank it off, took another and drank

The King’s health.” Nothing preserves

Our emphatic right to be eccentric

More than our juries. They can acquit who they please.

And while some Lord Chief Justice

May opine that it is because of wretches

Like Sedley “that God’s anger and judgement

So hangs over us.” Me, I don’t give a toss.

Posted in Uncategorized | Leave a comment

Ode on Conflict

Conventional once more, Warfare can nevertheless

Take the world as her stage.  A period piece perhaps,

Featuring asymmetric tanks. Nostalgic gear

Of the Great War – what the Napoleonic ones were

To the Victorians. There in the national memory.

We thought nuclear deterrence safeguarded us

From another world affair. But we were wrong.

Anywhere can be the next proxy. Similar to the memory

Of abuse, the memory of war fascinates

Its victims. So should war be viewed as a trauma

The species suffers from, is indeed driven by?

Boots on the ground. The martial poetry of it all.

Now we have entered the labyrinth, knotted for us by Thucydides.

We’ll lose the next. And most of us know it.

The Rakshas are the mob. They run things.

And they’ve taken over our votes, ridding us of our rights

As they might strip some starlet of her modesty.

War is a racket, yes. And like most rackets

Built on lies. Deterrence is too vast to put a stop

To missiles though. Back to the trenches. Now plus drones.

A murmuration of them fills the sky.

Why are we so driven to make enemies?

It’s the economy, stupid! Capitalism is based on

Consumption, and built-in obsolescence

Means you dump your fridge or stove or car

Or trainers, but what more quickly gets consumed

Than a bullet? Why, its very aim is to be fired.

Munitions are the best dish the system ever tasted.

No excuse. They have to be replaced.

To get Warfare started, you invest in propaganda.

Fear must generate nightmares for folks to get

Behind the effort necessary to ignite her.

So feed their paranoia, one flag at a time.

It gets to be addictive. We monitor its theatres:

Parasitic vultures peering through our screens

While people actually perish. Ah, but that’s

Entertainment. Killing enthrals us. Flight or fight

A mechanism that affects our animal reality

So that we move in lock-step towards some massive sacrifice

Believing that our puny act will bring the beast down finally.

It’s a bit like running a gambling joint filled with

One-armed bandits. Those guys and gals

Tugging away at their levers, they have to truly believe

That the jackpot will fulfil their wildest dreams.

As for the boss and his staff, they know their bonus giveaway

Is as nothing compared to what these bandits reap them in.

War is very chummy, see, with banditry,

Basically she’s ushered into play by the State behaving

As a criminal. And this keeps happening because

The State itself is staged. Yes, it’s a Shakespearian scenario:

Politician puppets glove the hands of the crooks

Who wield the actual power, endowed by the gains

From previous heists committed maybe centuries ago

By ancestors of those who stand to profit most from mayhem now.

Posted in Poetry, Politics, war | Tagged , , | Leave a comment

“I Do More Deeply” in The Exacting Clam

Very pleased to see this published finally in THE EXACTING CLAM MAGAZINE Issue 21

This text is called I do more deeply

Click on the link to read it. It was written in 1973-74 when I was invited to join the International Writers Program in the University of Iowa. So it was written more than 50 years ago! At the time I was engaged in systemic writing – composers Philip Glass and John White were friends of mine, and I wanted to see if I could do in literature what they were doing in music.

The text is a shortened version of a booklength piece called HOT DAMN – which is now a Heyzine book accompanied by my own drawings – contact me if you want the link to that complete text.

This shortened text was read by myself and two other very fine readers (a man and a woman) at my final presentation in Iowa. Each paragraph had a formula: one reader reading one sentence, the next reader reading two, say, and the third silent. Then there was a different formula for the next paragraph. There was a brilliant recording made of this – but that has disappeared. Dancers accompanied the reading.

Posted in Poetry | Tagged , , , , | 1 Comment

London Statuary

Boadicea
British Museum
Demo
Italian Gardens
Peter Pan
Sir John Soan’s Museum
Wellington

See these images on SUBSTACK

See also Busts on Black

Posted in art | Tagged , , , | Leave a comment

Stravinsky for Pianola

The Paris Years by the Brothers Quay – brilliant animation and musical synchronisation.

The Brothers’ works from 1979 to the present show a wide range of often esoteric influences, starting with the Polish animators Walerian Borowczyk and Jan Lenica and continuing with the writers Franz Kafka, Bruno Schulz, Robert Walser and Michel de Ghelderode, puppeteers Wladyslaw Starewicz and Czech Richard Teschner and Czech composers Leoš Janáček, Zdeněk Liška and Polish Leszek Jankowski, the last of whom has created many original scores for their work. Czech animator Jan Švankmajer, for whom they named one of their films (The Cabinet of Jan Svankmajer), is also frequently cited as a major influence, but they actually discovered his work relatively late, in 1983, by which time their characteristic style and preoccupations had been fully formed.[4] In a panel discussion with Daniel Bird and Andrzej Klimowski at the Aurora festival in Norwich, they emphasized that a more significant influence on their work was Walerian Borowczyk, who made both animation shorts and live-action features.

Most of their animation films feature puppets made of doll parts and other organic and inorganic materials, often partially disassembled, in a dark, moody atmosphere. Perhaps their best known work is Street of Crocodiles (1986), based on the short story of the same name by the Polish author and artist Bruno Schulz. This short film was selected by director and animator Terry Gilliam as one of the ten best animated films of all time,[5] and critic Jonathan Romney included it on his list of the ten best films in any medium (for Sight and Sound‘s critics’ poll of 2002).[6] They have made two full-length live action films: Institute Benjamenta, or This Dream People Call Human Life (1996), produced by Keith Griffiths and Janine Marmot, and The Piano Tuner of Earthquakes (2005), produced by Keith Griffiths. They also directed an animated sequence in the film Frida (2002).

Posted in art, Music, Performance Art, Video | Tagged , , , , , | Leave a comment

Emptiness

Back

x

Lock

x

Overpass

x

Shed

x

The Works

x

See also ANATOMY OF EMPTINESS

Posted in art | Tagged , , , | Leave a comment

Another Review for Donald Gardner

I have just discovered a review written in Double Dutch Magazine for Donald’s poems published by Grey Suit Editions.

Donald’s page on the Grey Suit website is here.

Posted in Grey Suit Editions, Poetry | Tagged , , , | Leave a comment

Interview with Nick Wood, 1978 – about The Theatre of Mistakes

Very pleased to have found this interview with Nick Wood from 1978

See also https://anthonyhowelljournal.com/2023/05/08/performances-in-the-seventies/

See also https://theatreofmistakes.wordpress.com/2017/05/10/towards-a-purposeful-accident-elements-of-performance-art-via-the-ting-the-theatre-of-mistakes-at-parse-gothenburg-2016/

Posted in art, Performance Art | Tagged , , , | Leave a comment

Brilliant speech to commemorate Michael Parenti!

Posted in Politics, war | Tagged , , , | 2 Comments

Market Forces

What is the best way to take it, rhinoceros horn?

Powder form, sprinkled onto adrenochrome chowder?

As for your weather engineering, if the peeps

Are very very sinful, God will send an angel down

To strike the air that surrounds their sector,

Felt as a series of shocks. So you can tell He’s interfering.

It was as if the house had had a heart attack.

But when there’s blood on the streets, that is the best time to buy,

And you can be kept informed thanks to the screen:

The screen that sucks the life out of its viewers.

x

I’ve been narrowly missing the puddles on my way

Back from Asda – not really wanting to risk it. It is so easy to slip

When it comes to blood. We need some rain

To wash it away, at least for today – for tonight

The sky will be redder than sunset behind the rooves that remain.

Blood improved by fear fetches an amazing price,

According to an observer. Neighbours keep describing kids

With emaciated bodies hooked up to intravenous drips

So as to be drained of blood and adrenal fluid.

When anything’s taken too far it tends to go a bit further.

Posted in Poetry, Politics, war | Tagged , , , , | 1 Comment