War in Images, Literature and Slideshow

Much art concerns experience. What we know. But at the same time we need to express what we feel about what we hear about, or see on our screens, the hyper-real. So although we may often be advised to “write about what we know about”, it is also important to write about what we don’t know about but by which we are moved. Calamity should not be deemed out of bounds because not directly experienced. The most terrifying novel of World War 1 was written by Walter Owen from a sanitorium – The Cross of Carl (Grey Suit Editions).

I have feelings that result from the horrific images, the suffering I see. It is the duty of my imagination to manifest my unease, my loathing of war. To free my imagination, I often rely on chance: drawing on old blotch-covered sheets or drawing with the eyes closed. I am only partially in control, I accept my inexperience. I can only try. Click on each image to expand.

War –  a short video slideshow drawn with the eyes closed.

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Matching Democrats

I first posted this in 2020. Still one of my favourite posts, though it didn’t get much attention at the time.

anthonyhowelljournal's avataranthonyhowelljournal

Hillary matching James Nares.

Hunter Biden and his art.

References:

https://edition.cnn.com/style/article/hillary-clinton-washington-home-photos/index.html

There’s a new artist in Town. The name is Biden.

Adam Popescu, New York Times, February 28, 2020

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News from Grey Suit Editions UK

Click on Grey Suit Editions blog 

And scroll down for the latest news about our publications.

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Aquileia a Cappella: Knots in a Mosaic

I am very excited that the libretto I wrote for a performance opera that was inspired by the great early Christian church in Aquileia has now been set to music and recorded.

See also Shadow of a Campanile.

More details to follow. I now have to create the accompanying performance. I will need five performers. Anyone interested should contact me.

My thanks to all involved so far. Below are the first audio takes.

Aquileia – Act 1 – 

Aquileia – Act 2 – (mix 1.0)

Aquileia – Act 3 (mix 1.0)

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Nepenthes

photo by Yvette Gibbs

The only evidence of invisible women,

These anatomical vaginas form themselves

From stalks that have grown out of leaves.

Aberrant blooms that have got it all wrong?

x

Or are they the next delicious thing –

More alluring than the vampires of Berlin?

Each one a purple vial to drown a rat in,

Patiently ingesting its remains.  Time-honoured

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Transformation!  Protein changed to lush vegetation.

Quintessential females, lidded so as to prevent

Premature exit, who float above their dais of moss.

Urns presented in chorus: a choir of harpies

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Making up an exhibit in a tent more sweat-inducing

Than any rain forest.  Their low-level chandeliers

Actually remind me of the milking machines

That get attached in parlours.  Just as effectively

x

They squeeze the goodness out of their nutrients.

Clearly their role is to further promiscuous metaphor

Rather than resemble any other plant

On show here at a sweltering Hampton Court.

x

First published 2014 in Silent Highway, Anvil Press Poetry – now available through Carcanet

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Snake Nests – drawn with the eyes closed.

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Deep State

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Inside the Beltway, it’s a black hole.

Outside? Only desert islands.

Actual desert islands, none with much of a palm.

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Castaway means left behind,

Less than a dot on the map.

Not in sight. No way borne in mind.

x

Look, it’s not just doom and gloom,

It’s worse, far worse, in fact. You made the wrong mistakes,

The ones that fuck you up.

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There’s no escape from how your life pans out.

What you were doing was never going

To get you anywhere. Your island is the dullest of all ends.

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Even the sea can’t be seen from there.

The shore is walled off, the sky

Obstructed by a ceiling. That poet got it wrong.

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Island? More like a cell

Afloat without a funnel.

You could be staring into a well

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Or walking down a tunnel

That gets darker, and that’s all it does.

There’s no light at the end of it, whatever

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Anyone told you. Only those pigs who scratch

Each other’s backs bask in the sun.

How could you cast pearls before such swine?

x

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More about my flipbook – Three Novellas.

Bellamy’s Stroller – my second novella – conveys us into an animated panorama based on Hogarth’s illustrations of 18th century England, where the life of the theatre and the theatre of life are forever getting confused. The story culminates in a scene derived from Defoe’s History of the Pirates.

Click on this link https://heyzine.com/flip-book/d1e0b7c35e.html

The link gives any reader free access to my Three Novellas – written over thirty years ago. Heyzine flipbooks offer me the option to update the version provided here – and in the future I will give it an ISBN.

Turn the pages (forward or back) by clicking on the little arrows at the foot of each page. Warning – my advice is to turn off the sound by clicking the icon in the upper right hand corner.

Click this link for the complete bookshelf of Heyzine publications

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Recent contributions to magazines etc: some useful links.

 

 

Here is the link to new publishing activities 

It includes poems, reviews and essays and is currently up-to-date.

Ebook and flip-book publications which can be read for free can be found here

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Three Novellas

This is my first “flip-book”. Hugely pleased that it has now over 1600 readers.

Click on this link – https://heyzine.com/flip-book/d1e0b7c35e.html

The link gives any reader free access to my Three Novellas – written over thirty years ago. Heyzine flipbooks offer me the option to update the version provided here – and in the future I will give it an ISBN.

Turn the pages (forward or back) by clicking on the little arrows at the foot of each page. Warning – my advice is to turn off the sound by clicking the icon in the upper right hand corner.

Three Novellas will also be available as a printed book if there is any interest in this from sufficient subscribers to make it worthwhile printing. Anyone who would be keen on a printed book should get in touch with me at

editorial@greysuiteditions.co.uk

You are more than welcome to share the link. I would actually appreciate it if you did. My primary aim is to make my work widely available. I also welcome  comments – either below or by the email above. Is an online book a good direction to go in? Tell me what you think, and whether you enjoy my novellas.  

Click on the tag ‘ebooks and flipbooks’ below for other texts available online.

There are further flipbooks in the pipeline – a collection of my non-narrative writings entitled ABSTRACTIONS and AS IF IT WERE A BOW – my poems written in Thailand – extracts of which are currently being featured in The High Window. 

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