Intermezzo

Can-Can dancers – artist unknown

Intermezzo

TO THE MEMORY OF CHARLES BAUDELAIRE

Nini Patte-en-l’Air (Casino de Paris’)

The gold Casino’s Spring parterre

Flowers with the Spring, this golden week;

Glady, Toloche, Valtesse, are there;

But all eyes turn as one to seek

The drawers of Nini Patte-en-l’air.

Surprising, sunset-coloured lace,

In billowy clouds of gold and red,

They whirl and flash before one’s face;

The little heel above her head

Points an ironical grimace.

And mark the experimental eyes,

The naughty eloquence of feet,

The appeal of subtly quivering thighs,

The insinuations indiscreet

Of pirouetting draperies.

What exquisite indecency,

Select, supreme, severe, an art!

The art of knowing how to be

Part lewd, aesthetical in part,

And fin-de-siecle essentially.

The Maenad of the Decadence,

Collectedly extravagant,

Her learned fury wakes the sense

That, fainting, needs for excitant

This science of concupiscence.

ARTHUR SYMONS (Paris, May 14, 1892)

Symons has left this out of his Collected Poems. A shame as it is one of his best. Was it too risque?

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About anthonyhowelljournal

Poet, essayist, dancer, performance artist....
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