
A story by David Plante

Tottenham is celebrating Luke Howard
The father of meteorology!


Here is a link to the exhibitions page at The Room
CLOUD FORMS
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When, from the water’s quiet mirror,
A mist floats off like a carpet
And the moon, wrapped in its undulations,
Revels in a haunted, haunting play,
Then we are pleased as children;
Watching it lift up the mountain,
Deepen and then spread,
Bar after bar, to become the sort
Of lowering sky that can go either way:
Soak us or pass on, overhead.
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And if from there it should be raised
Up to a thinner atmosphere
How firmly based, how crisp it seems,
Towering, gathering all its splendour
For a proclamation on the plenitude of power
(Since what we fear may well be our fate).
We tremble in the shadow of its threatening.
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Say it climbs higher still;
The threat now utterly removed
Into a heavenly lightness,
A mere something there that dissolves
Ever so softly; less than a patter of fleeces
Moving, deliciously combed,
Upwards from below, towards
Their Shepherd, into his lap and hand.
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Yet all must be brought down
By the weight of our world.
Pierced, when dense and very large,
The stack must thunderously
Discharge, as armies do that roll out
In splendid array only to disintegrate;
The earth then receiving their remains.
But keep the eye on where it frays,
Describing what comes down while feeling
That it’s upwards we should always gaze.
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After Goethe – stratus, cumulus, cirrus, nimbus
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HOMAGE TO HOWARD
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Holy mountain, realm of seem.
Goaded by a breeze, it sways,
As if some flimsy palanquin
Whose gathered gauzes drift apart.
It glories in continuous metamorphosis,
Now immobile, now a dream:
Can you see it and believe your eyes?
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Trust to the strength of your own projection,
Choosing to define, while the indefinite
Ramps a lion or unfurls an elephant
Or turns a camel’s neck into a Jabberwock
– Until the army of barmy
Images wrecks itself on a rock.
The trumpeter heralds his own dissolution
Well before a judgement can be sounded.
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Yet Howard gave us an instrument
For getting the airborne grounded
By latching on to the gone, and firming up
The ephemeral. He was the first to hold it fast
By naming drifts, compactions,
Dispersals and descents,
For which the planet offers thanks.
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Luke Howard, “Namer of Clouds”, (1772 – 1864) – after Goethe
Both versions by Anthony Howell
The story goes that when Luke Howard received these poems in the post he could not believe that they were really from Goethe and threw them into the waste-paper bin!

And please put in your diary the 22 November – Poetry reading on ‘The weather’ – open mike – starting at 7 pm at The Room.

My friend, the artist Anthony McCall, gave me Thinking in Circles: an essay on ring composition by Mary Douglas. He observed that much of my work in performance art and in writing has had a circularity to its composition. His visit coincided with a talk I went to by the physicist Carlo Rovelli and the artist Cornelia Parker at the Conway Hall. Quantum theory, mythology and circularity somehow came together to inspire this longish poem.
Were one to read it in one go, the circularity which is its kernal and its perimeter would become apparent. But that is a tall order, I realise. Next year I hope to work with the poet/dancer Scott Thurston on a performance where I may recite the poem to accompany his actions. Meanwhile The Fortnightly Review have just published the poem in its entirety, much to my amazement and joy. The link is below:
Here is a link to an excellent review of Donald Gardner’s New and Selected Poems – published in LONDON GRIP
And here are other links to follow up – a film of Donald reading ‘Hardly News’
And a link to the book itself – proudly published by Grey Suit Editions UK

It’s warm but not quite hot. Under the blue, in our anoraks,
We are lining up to surround Westminster
Bringing with us our hands. Yai, my friend from Thailand,
Only a year or two younger than I am, takes a photo
Of me remembering to suck my midriff in,
Halfway across the Thames. Then I lean my back against
The solid balustrade as gulls glide overhead
And a pretty young woman takes up the space to my right.
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Lock up ugly Patel! We laugh, as slogan-banded crowds
Head past us, bemusing the tourists on the bridge’s
Other side that faces London’s looming wheel.
Everything feels large from here. More and more of us
Surge on so as to continue our chain along the far embankment.
First we start to chant and then we start to chat.
We’ll need more than this, we think, but a whistle-headed one of us
Plus a soulful dog in a pram and the witch of seven veils
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And several more demonstrative monstrosities
Continue to increase this encirclement of our vindictive
Houses of parliament. The wench beside me pulls her velvet
Outer-wear over her blond head since it’s grown suddenly hot.
Yai leans into my left. She’s messaging relations in Bangkok,
Puzzled as to what she may be demonstrating about.
Meghan’s come down from High Barnet – thirty something
At a guess – just the enthusiastic sort I’ve always been attracted to
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And, I must confess, still am at high tide, enjoying this October blue.
Our chat is a matter of lively responses, though just as I
Suck in my midriff for a pic, I am trying to keep in check
That passionate part of me, my heart. My own years
See other years from an altered point of view
Yet with the same appreciative eyes. How will I remember her,
How visualise her upturned face, I ask myself
At seventy-seven – no longer even sixty-nine –
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The demonstration taking second place in my attention.
What a fraud I am! Pulling out my latest collection
To give to her, brought with me especially
For such an eventuality as this has just turned out to be.
But now it’s time for all our hands to join
And I have Yai’s in mine and Meghan’s. Is this bliss or what?
I sense our fingers forming an intimate knot.
The Thames runs glittering past below our feet.
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A chain for Assange – 8 October 2022

My new collection of poems has now been published by The High Window
The above link also leads to a selection of poems in the book.
Very pleased to see it out, and many thanks to David Cooke.
And huge thanks to Michelene Wandor for this perceptive review in the Fortnightly

I am very pleased that The High Window have just published my new book of poems this September. Launch details will be posted shortly. The book can be ordered through editorial@greysuiteditions.co.uk – just attach your address to your email. They can also be ordered through The High Window Press.
I am also excited that Grey Suit Editions has two new titles, coming out in October/November:
Details about the two new titles (covers below) can be found here

And

All books can also be ordered through Tangoshiva on ebay
For trade deals on all my books or Grey Suit Editions contact editorial@greysuiteditions.co.uk

I am very pleased that the composer Michael Hersch has set several of my versions of the poems of Iraqi poet Fawzi Karim to music in his new work THE SCRIPT OF STORMS – featuring the work of Christopher Middleton as well as that of Fawzi Karim.
Click Fawzi Karim – for more about this internationally renowned poet.
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And here is Part 5 of Fawzi Karim’s PLAGUE LANDS – from the book published by Carcanet in 2011
So let us now praise exodus,
exodus en masse,
Let us now praise exodus before dawn
While checking inside the receiver
and under the car.
Let us now praise exodus
as those who are exiled already
praise those of us who are exiled after them.
Unto them let’s advertise our attractions
And publicise our qualities to disbelieving lands.
Our travel songs are shanty towns
and the sun goes wailing through their slats.
Who dare join their voices to our own?
Let us now praise exodus
from its first cocoon
to its children tumbling down the vale.
And let us praise our mourning songs that race us to the sea.
Hallelujah, exodus!
No one’s cheered as loud before,
And wandering through us, the slain are on tour.
They pillow their heads on our eulogies,
And, as the light goes out of their eyes,
we praise that dying light.
Here are roads less stony.
Here we stand, at the summit of Mount Memory.
Our wishes are wolves in the desert:
scrabbling, scrabbling, never to strike
the sacred springs of blood,
And the sand soaks up our wishes.
Let us praise the dullness
that drains all color out of things,
And, from the lands of the living,
sing of the lands of the plague.
I am also pleased that my libretto Aquileia A Capella has been set to music by Robert Stuckey, and a full recording of it will be made later this year, with a live performance created in 2023.
Further details and examples of poems of mine which have been set to music by Battista Pradal as well as by Michael Nyman can be found on Readings and Performances on my website