I found this article when trying to answer a question I had posed for myself: Do you have to be Jewish to settle in Israel? Remember there are black Jews as well as European Jews. And I’ve been asking myself, who are the Jewish “settlers” – obviously not victims of German Nazi aggression (that was back before or immediately after 1945) – so this quote from the article posted above is relevant:
‘Race thinking is responsible for Israel’s racial citizenship and immigration regime that privileges the “ingathering of (Jewish) exiles” on the strength of The Law of Return. Enacted in 1950, this law, based on Orthodox Judaism, applies to people with a Jewish mother or maternal grandmother, later changed—in response to Israel’s demographic anxiety following the 197 occupation of the West Bank, the Gaza Strip and the Golan Heights (Wolfe, 2016) to apply to those with one Jewish grandparent. (Hayeem, 2010). Jewish immigrants are granted jus sanguinis citizenship and generous financial and social benefits and tax exemptions with the imperative of ensuring Israel’s Jewish majority.’
So, according to this article, today all you need is to have had one Jewish grandparent. This means you only have to be a quarter Jewish to settle on Palestinian land by forcible appropriation.
Also notice the use of the word ‘exiles’ – this signifies that if you are quarter Jewish and living anywhere else in the world you are technically an “exile” however comfortably off you may happen to be.
Wikihow (in their entry How to Immigrate) states that “If you’re Jewish, which is defined as being born to a mother who is Jewish or having converted to Judaism, then there is not much that you need to do. Israel will welcome you with open arms” (and we have seen above that actually all that is now required is a Jewish grandparent) “All you have to do is go there and formally request citizenship.” However, Wikihow continues:
“You can also be considered a Jew according to this law if you converted to Judaism and are not a member of another religion. If you converted to Judaism, you’ll need a letter from an Orthodox rabbi that you can bring to the rabbinical court. This group is part of the Israeli justice system and they determine who is considered Jewish or not.” So you don’t actually have to be even a quarter Jewish – you can simply convert to Judaism. Interesting.
The physiological vigor of an organism as manifested in its rapidity of growth, its height and general robustness, is positively correlated with the degree of dissimilarity in the gametes by whose union the organism was formed … The more numerous the differences between the uniting gametes — at least within certain limits — the greater on the whole is the amount of stimulation …
When a population is small or inbred, it tends to lose genetic diversity. Inbreeding depression is the loss of fitness due to loss of genetic diversity.
Both the Nazi and the Zionist notions of racial supremacy are based on false genetics. Purity of strain will lead to inbreeding depression.
Equally, if one dominant group coops up a group with a different genetic background, eventually the cooped-up group will risk devastating inbreeding and therefore seek to break out of the coop. The social aggregate will disperse and seek to mate with aggregates of another genetic background. See the notion of ‘hybrid vigour’ in dog breeds.
This can be seen in algae as much as in human history.
War is the human aggregate’s ejaculative act.
For the sake of internal peace within the state, its sterile old men call for the state to ejaculate the young men with their haploid genes. War is a wet dream.
For more see APHRODITE AND ARES – scroll down to the bottom of the post which provides a link to the internet’s copy of this important book published in 1950.
@redactedinc just posted a piece about Israel’s “Pearl Harbour”. Well, Redacted, in 2017 I published “From Inside”. One poem in this collection is called A PEARL HARBOUR DAY. Another poem talks about the PNAC – which you also mention in the same piece.
Since starting to draw with my eyes closed in March 2023 I have been investigating the myth of Aphrodite, Ares and Hephaestos. See Vulcan’s Net and LIW.
In the Iliad, as in the Ramayana, wars are caused by the abduction of a woman. And yet, in ‘real life’, war seems especially male. However, myth places Ares and Aphrodite in the trap of the net made by Hephaistos (Aphrodite’s crippled arms-maker husband) which Hephaistos places over the marriage bed. The myth is well told in the Odyssey – see Vulcan’s Net for Chapman’s translation of the tale.
I refer to this story in Book 1 of The RUNIAD – the epic poem I completed in 2025. The link takes you to the Heyzine book where you can read this work in progress.
Aphrodite (or Venus) is the goddess of beauty. She can be a celestial beauty – as in Botticelli’s Venus – a perfect example of the Fibonacci Series and human attractiveness. She can also be Aphrodite Pandemos, the goddess of prostitutes.
Ares (or Mars) is the god of war. He is not a master of strategy (his sister Athene is the goddess of wisdom in war). Ares is a brutal exponent of mayhem. He is a mercenary and a thug.
Hephaestos (or Vulcan) was born deformed, and his mother Hera threw him out of heaven. When he crashed into the earth he broke his leg. So he is both crippled and deformed. However he is the maker of all weaponry and the other gods are indebted to him for their beautiful winged sandals, javelins, helmets of invisibility and so on. He trapped Aphrodite’s mother into giving him her exquisite daughter as his wife. But Aphrodite was always a whore from the hips down. She has intercourse with Ares because he showers her with gifts. When caught with Ares in the net, release comes only when the bridal price has been paid back to Hephaistos – which leaves a giggling Aphrodite free to go off and open a brothel on Cyprus.
War, beauty, the arms industry. All so intimately entangled.
A prisoner may be offered a choice: become a mercenary and risk death but be released from jail.
A woman may make a choice: become a prostitute and renounce love for anything but financial remuneration.
The mercenary on rotation seeks a woman in the brothels of the capital.
With my eyes closed, I wanted to draw subjects that cannot be seen clearly – as in the “fog of war”, as when sexual passion “clouds judgement”.
I’ve no sense of proportion, and sometimes the sheet is turned through 90 degrees or 180 degrees. I am limited in my perception. I am a blind observer.
There is also Norman Walter’s book THE SEXUAL CYCLE OF HUMAN WARFARE published during World War 2. I can’t recommend this book too highly. It should definitely be republished.
Citadel of Aleppo. Aleppo, northern Syria. The inner gate of the citadel.
Brilliant interview with Vanessa Beeley, the only journalist to be trusted on Syria.
I used to visit the souks of Syria buying kelims, and I fell in love with the country, as I fell in love with Serbia – back when it was part of the wonderful Yugoslavia – which the West destroyed. Just as, being a ballet dancer originally, I admired and always will admire Russians, and found such a welcome in Saint Petersburg.
The link opens my flipbook which can be read for free. And do please share that link with friends who enjoy reading.When the link opens on the cover of the book you see a little arrow at the bottom corner right. Click on it and the pages turn. I suggest turning off the sound and enlarging to full screen.
Over 800 readers already! And these novellas are picking up 100 readers a week. I am so pleased. Thanks to all of you. And do please share the link with your friends. My aim is to gain a wider readership. Reviews welcome. And I suggest turning off the sound when reading the text.
In Beautonia, the tale of Briar Rose – or Sleeping Beauty – is lifted out of the context of Grimms Fairy Tales and given a twentieth century setting and a Balkan location. The emergent tale thus becomes enigmatic. Is it perhaps a parable concerning some contemporary predicament?
Bellamy’s Stroller conveys us into an animated panorama based on Hogarth’s illustrations of eighteenth century England, where the life of the theatre and the theatre of life are forever getting confused. Events swing from triumph onstage to tragedy in reality and the story culminates in a scene derived from Defoe’s History of the Pirates.
In The Surrogate, the Amphitrion of Plautus – a comedy – is turned upside down and retold as an intense psychological drama from the point-of-view of the abused wife of the hero. As she advises her future daughter-in-law against marrying her firstborn son, we are drawn into the terrifying events which preceded his birth.