So who are the “settlers” in Israel?

This is a very well researched article – Race and Surveillance in the Settler Colony

I found this article when trying to answer a question I had posed for myself: Do you have to be Jewish to settle in Israel? Remember there are black Jews as well as European Jews. And I’ve been asking myself, who are the Jewish “settlers” – obviously not victims of German Nazi aggression (that was back before or immediately after 1945) – so this quote from the article posted above is relevant:

‘Race thinking is responsible for Israel’s racial citizenship and immigration regime that privileges the “ingathering of (Jewish) exiles” on the strength of The Law of Return. Enacted in 1950, this law, based on Orthodox Judaism, applies to people with a Jewish mother or maternal grandmother, later changed—in response to Israel’s demographic anxiety following the 197 occupation of the West Bank, the Gaza Strip and the Golan Heights (Wolfe, 2016) to apply to those with one Jewish grandparent. (Hayeem, 2010). Jewish immigrants are granted jus sanguinis citizenship and generous financial and social benefits and tax exemptions with the imperative of ensuring Israel’s Jewish majority.’

So, according to this article, today all you need is to have had one Jewish grandparent. This means you only have to be a quarter Jewish to settle on Palestinian land by forcible appropriation.

Also notice the use of the word ‘exiles’ – this signifies that if you are quarter Jewish and living anywhere else in the world you are technically an “exile” however comfortably off you may happen to be.

Wikihow (in their entry How to Immigrate) states that “If you’re Jewish, which is defined as being born to a mother who is Jewish or having converted to Judaism, then there is not much that you need to do. Israel will welcome you with open arms” (and we have seen above that actually all that is now required is a Jewish grandparent) “All you have to do is go there and formally request citizenship.” However, Wikihow continues:

“You can also be considered a Jew according to this law if you converted to Judaism and are not a member of another religion. If you converted to Judaism, you’ll need a letter from an Orthodox rabbi that you can bring to the rabbinical court. This group is part of the Israeli justice system and they determine who is considered Jewish or not.” So you don’t actually have to be even a quarter Jewish – you can simply convert to Judaism. Interesting.

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DURGA

A sculpture of eight-armed ‘Durga Mahishasuramadini’, holding weapons, slaying the demon Mahisasura, emerging out of buffalo.

The sculpture dates back to 10th-11th Century CE from the hills of Almora, Uttarakhand & was repatriated from USA in 2018.

This is a real beauty and one of its kind.

source: Archaeological Survey of India

Durga who rides on the tiger inside her

Now takes the place of that heavy-breasted mother

Made for pregnancy alone. For Durga’s no Sheila-Na-Gig.

You don’t get into her easily. An ace at Sanam Takraw,

Her thighs will break an assassin’s neck like a match-stick.

Put together from the parts of warriors, is she all violent fathers

In a daughter’s clothing? One consumed by loathing

For her sex’s “frailty”? Durga dealt with the gaur goon

Who did a deal with Brahma. Being denied eternal life

His yesmanship for the god gained him the right to be slain

Only by a woman – which he reckoned guaranteed

An everlasting fame, given the gaur-sleek size of his frame.

Then Durga took his fancy, and she told him she would only mate

With a chap who could beat her in combat. Not with a sap.

That sounded good to this pumped-up buffalo anti-god.

Bring it on, he bawled, erection already affecting his cock.

Riding on her tiger she engaged with him, this minotaur

Who changed into a lion Durga despatched with a rock

As he became an elephant whose trunk she tied in a knot,

And when he was out of shapes into which to shift she slew him,

Tore off his head with her teeth, disconcerting all who knew him. 

Extract from The Runiad, Book 1
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The Sexual Cycle of Human Warfare

The physiological vigor of an organism as manifested in its rapidity of growth, its height and general robustness, is positively correlated with the degree of dissimilarity in the gametes by whose union the organism was formed … The more numerous the differences between the uniting gametes — at least within certain limits — the greater on the whole is the amount of stimulation …

When a population is small or inbred, it tends to lose genetic diversity. Inbreeding depression is the loss of fitness due to loss of genetic diversity.

Both the Nazi and the Zionist notions of racial supremacy are based on false genetics. Purity of strain will lead to inbreeding depression.

Equally, if one dominant group coops up a group with a different genetic background, eventually the cooped-up group will risk devastating inbreeding and therefore seek to break out of the coop. The social aggregate will disperse and seek to mate with aggregates of another genetic background. See the notion of ‘hybrid vigour’ in dog breeds.

This can be seen in algae as much as in human history.

War is the human aggregate’s ejaculative act.

For the sake of internal peace within the state, its sterile old men call for the state to ejaculate the young men with their haploid genes. War is a wet dream.

For more see APHRODITE AND ARES – scroll down to the bottom of the post which provides a link to the internet’s copy of this important book published in 1950.

See also My Part in the Downfall of Everything – a poem that deals with the similarity between Nazism and Zionism.

See also Norman Walter’s conclusion to his book.

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Talk about being a prophet in one’s own country!

https://anthonyhowelljournal.com/2017/02/27/from-inside-my-new-book-of-poems/

@redactedinc just posted a piece about Israel’s “Pearl Harbour”. Well, Redacted, in 2017 I published “From Inside”. One poem in this collection is called A PEARL HARBOUR DAY. Another poem talks about the PNAC – which you also mention in the same piece.

I guess I sold about three copies. LOL

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Making Art from Money

I think it’s easy this way round. Click for my latest slide-show

My first eyes shut drawing, Thailand – April 2023

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Three Novellas – readership is growing!

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Aphrodite and Ares

Click for my new slide show APHRODITE AND ARES

Since starting to draw with my eyes closed in March 2023 I have been investigating the myth of Aphrodite, Ares and Hephaestos. See Vulcan’s Net and LIW

In the Iliad, as in the Ramayana, wars are caused by the abduction of a woman. And yet, in ‘real life’, war seems especially male. However, myth places Ares and Aphrodite in the trap of the net made by Hephaistos (Aphrodite’s crippled arms-maker husband) which Hephaistos places over the marriage bed. The myth is well told in the Odyssey – see Vulcan’s Net for Chapman’s translation of the tale. 

I refer to this story in Book 1 of The RUNIAD – the epic poem I completed in 2025. The link takes you to the Heyzine book where you can read this work in progress. 

Aphrodite (or Venus) is the goddess of beauty. She can be a celestial beauty – as in Botticelli’s Venus – a perfect example of the Fibonacci Series and human attractiveness. She can also be Aphrodite Pandemos, the goddess of prostitutes.

Ares (or Mars) is the god of war. He is not a master of strategy (his sister Athene is the goddess of wisdom in war). Ares is a brutal exponent of mayhem. He is a mercenary and a thug.

Hephaestos (or Vulcan) was born deformed, and his mother Hera threw him out of heaven. When he crashed into the earth he broke his leg. So he is both crippled and deformed. However he is the maker of all weaponry and the other gods are indebted to him for their beautiful winged sandals, javelins, helmets of invisibility and so on. He trapped Aphrodite’s mother into giving him her exquisite daughter as his wife. But Aphrodite was always a whore from the hips down. She has intercourse with Ares because he showers her with gifts. When caught with Ares in the net, release comes only when the bridal price has been paid back to Hephaistos – which leaves a giggling Aphrodite free to go off and open a brothel on Cyprus.

War, beauty, the arms industry. All so intimately entangled.

A prisoner may be offered a choice: become a mercenary and risk death but be released from jail.

A woman may make a choice: become a prostitute and renounce love for anything but financial remuneration.

The mercenary on rotation seeks a woman in the brothels of the capital.

With my eyes closed, I wanted to draw subjects that cannot be seen clearly – as in the “fog of war”, as when sexual passion “clouds judgement”.

I’ve no sense of proportion, and sometimes the sheet is turned through 90 degrees or 180 degrees. I am limited in my perception. I am a blind observer.

The investigation continues…

See also CONFLICT and WAR.

There is also Norman Walter’s book THE SEXUAL CYCLE OF HUMAN WARFARE published during World War 2. I can’t recommend this book too highly. It should definitely be republished.

And here is a contemporary Aphrodite.

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THIS IS WHAT WE DO

Citadel of Aleppo. Aleppo, northern Syria. The inner gate of the citadel.

 

Brilliant interview with Vanessa Beeley, the only journalist to be trusted on Syria. 

 

I used to visit the souks of Syria buying kelims, and I fell in love with the country, as I fell in love with Serbia – back when it was part of the wonderful Yugoslavia – which the West destroyed. Just as, being a ballet dancer originally, I admired and always will admire Russians, and found such a welcome in Saint Petersburg. 

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Vulcan’s Net

Then with the rich harpe came Pontonous,

And in the midst tooke place Demodocus.

About him then stood foorth the choise yong men

That on man’s first youth made fresh entrie then,

Had Art to make their naturall motion sweete

And shooke a most divine dance from their feete

That twinckld Star-like, mov’d as swift and fine,

And beate the aire so thinne they made it shine.

Ulysses wonderd at it, but amazd

He stood in minde to heare the dance so phras’d.

For, as they danc’t, Demodocus did sing

The bright-crownd Venus’ love with Battaile’s king,

As first they closely mixt in t’house of fire.

What worlds of gifts wonne her to his desire,

Who then the night-and-day-bed did defile

Of good king Vulcan. But in little while

The Sunne their mixture saw, and came, and told.

The bitter newes did by his eares take hold

Of Vulcan’s heart. Then to his Forge he went,..

And in his shrewd mind deepe stuffe did invent.

His mightie Anvile in the stocke he put,

And forg’d a net that none could loose or cut,

That when it had them it might hold them fast.

Which having finisht, he made utmost haste

Up to the deare roome where his wife he wowd,

And (madly wrath with Mars) he all bestrowd

The bed and bed-posts, all the beame above

That crost the chamber, and a circle strove

Of his device to wrap in all the roome.

And twas as pure as of a Spider’s loome

The woofe before tis woven. No man nor God

Could set his eie on it, a sleight so odde

His Art shewd in it. All his craft bespent

About the bed, he faind as if he went

To well-built Lemnos, his most loved towne

Of all townes earthly. Nor left this unknowne

To golden-bridle-using Mars, who kept

No blinde watch over him, but, seeing stept

His rivall so aside, he hasted home

With faire-wreath’d Venus’ love stung, who was come

New from the Court of her most mightie Sire.

Mars enterd, wrung her hand, and the retire

Her husband made to Lemnos told, and said:

‘Now, Love, is Vulcan gone; let us to bed;

Hee’s for the barbarous Sintians.’ Well appaid

Was Venus with it, and afresh assaid

Their old encounter. Downe they went, and straight

About them clingd the artificiall sleight

Of most wise Vulcan, and were so ensnar’d

That neither they could stirre their course prepar’d

In any lim about them, nor arise.

And then they knew they could no more disguise

Their close conveiance, but lay, forc’t, stone still.

Backe rusht the both-foote-crook’t, but straight in skill

From his neare skout-hole turnd, nor ever went

To any Lemnos; but the sure event

Left Phoebus to discover, who told all.

Then home hopt Vulcan, full of griefe and gall.

Stood in the Portall, and cried out so hie

That all the Gods heard: ‘Father of the skie,

And every other deathlesse God,’ said he,

‘Come all, and a ridiculous object see,

And yet not sufferable neither. Come

And witnesse, how, when still I step from home

(Lame that I am) Jove’s daughter doth professe

To do me all the shamefull offices,

Indignities, despites, that can be thought;

And loves this all-things-making-come-to-nought

Since he is faire forsooth, foote-sound, and I

Tooke in my braine a little, leg’d awrie—

And no fault mine, but all my parents’ fault

Who should not get, if mocke me with my halt.

But see how fast they sleepe while I, in mone,

Am onely made an idle looker on.

One bed their turne serves, and it must be mine.

I thinke yet I have made their selfe-loves shine.

They shall no more wrong me and none perceive:

Nor will they sleepe together, I beleeve,

With too hote haste againe. Thus both shall lie

In craft and force, till the extremitie

Of all the dowre I gave her Sire (to gaine

A dogged set-fac’t Girle, that will not staine

Her face with blushing though she shame her head)

He paies me backe. She’s faire, but was no maide.’

While this long speech was making, all were come

To Vulcan’s wholie-brazen-founded home—

Earth-shaking Neptune, usefull Mercurie,

And far-shot Phoebus. No She-Deitie,

For shame, would show there. All the give-good Gods

Stood in the Portall, and past periods

Gave length to laughters; all rejoyc’t to see

That, which they said that no impietie

Finds good successe at th’end. ‘And now,’ said one,

‘The slow outgoes the swift. Lame Vulcan, knowne

To be the slowest of the Gods, outgoes

Mars the most swift. And this is that which growes

To greatest justice, that Adulterie’s sport,

Obtain’d by craft, by craft of other sort

(And lame craft too) is plagu’d—which grieves the more

That sound lims turning lame the lame restore.’

This speech amongst themselves they entertaind,

When Phoebus thus askt Hermes: ‘Thus enchaind

Would’st thou be, Hermes, to be thus disclosde,

Though with thee golden Venus were repos’de?’

He soone gave that an answer: ‘O,’ said he,

‘Thou king of Archers, would twere thus with me,

Though thrice so much shame—nay, though infinite

Were powrd about me, and that every light

In great heaven shining witnest all my harmes—

So golden Venus slumberd in mine Armes.’

The Gods againe laught; even the watry state

Wrung out a laughter, but propitiate

Was still for Mars, and praid the God of fire

He would dissolve him, offering the desire

He made to Jove to pay himselfe, and said

All due debts should be by the Gods repaid.

‘Pay me no words,’ said he, ‘where deeds lend paine;

Wretched the words are given for wretched men.

How shall I binde you in th’Immortals’ sight

If Mars be once loos’d, nor will pay his right?’

‘Vulcan,’ said he, ‘if Mars should flie, nor see

Thy right repaid, it should be paid by me.’

‘Your word, so given, I must accept,’ said he—

Which said, he loosd them. Mars then rusht from skie

And stoop’t cold Thrace. The laughing Deity

For Cyprus was, and tooke her Paphian state

Where she a Grove ne’re cut hath consecrate,

All with Arabian odors fum’d, and hath

An Altar there at which the Graces bathe

And with immortall Balms besmooth her skin,

Fit for the blisse Immortals solace in,

Deckt her in to-be-studied attire

And apt to set beholders’ hearts on fire.

           This sung the sacred Muse, whose notes and words

The dancers’ feete kept, as his hands his cords.

Ulysses much was pleased, and all the crew.

From Book VIII of The Odyssey by Homer – translated by George Chapman in 1614-15

x

Drawings done with the eyes shut by Anthony Howell

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Please Enjoy my Three Novellas!

Just click on this link to my Three Novellas

The link opens my flipbook which can be read for free. And do please share that link with friends who enjoy reading.When the link opens on the cover of the book you see a little arrow at the bottom corner right. Click on it and the pages turn. I suggest turning off the sound and enlarging to full screen.

Over 800 readers already! And these novellas are picking up 100 readers a week. I am so pleased. Thanks to all of you. And do please share the link with your friends. My aim is to gain a wider readership. Reviews welcome. And I suggest turning off the sound when reading the text.

In Beautonia, the tale of Briar Rose – or Sleeping Beauty – is lifted out of the context of Grimms Fairy Tales and given a twentieth century setting and a Balkan location. The emergent tale thus becomes enigmatic. Is it perhaps a parable concerning some contemporary predicament?

Bellamy’s Stroller conveys us into an animated panorama based on Hogarth’s illustrations of eighteenth century England, where the life of the theatre and the theatre of life are forever getting confused.  Events swing from triumph onstage to tragedy in reality and the story culminates in a scene derived from Defoe’s History of the Pirates.

In The Surrogate, the Amphitrion of Plautus – a comedy – is turned upside down and retold as an intense psychological drama from the point-of-view of the abused wife of the hero. As she advises her future daughter-in-law against marrying her firstborn son, we are drawn into the terrifying events which preceded his birth.

Many of my printed publications can be found at Tangoshiva on ebay.

I am also preparing a flipbook of my novel Major Stede Bonnet – Gentleman Pirate. 

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