Vista

Vista

Each of us pursues a path, each ant has its very own

Destination. However, in my opinion, poetry’s been ruined by

An excess of thought: thought that sneers at action and

Reduces observation to a metaphor crawling across the page

And possibly down to its foot, but getting little further.

Heaps and heaps of poets today busily manufacture

Quasi-profound little homilies for competition prizes

In languid lyrics which comply with designated sizes.

So how should one deal with a vista? Not just one in fact

But a myriad views which extend even beyond the ability

To describe them. Helicopter squares below, and then

The geometry of stadia, playing fields, and over there

The stencilled letter of a port with its quays. Or flats

Looking flat, laid out in so many stacked-up Leggo blocks,

Then the long strip of a runway. A bridge like a necklace

Strung across the strait. The city seen as a map, buttressed by

Crags, connected by tunnels, flowing along the protracted

Curves of the sea. A glittering flood of humanity! Lapping at

The feet of hills, it rises ever higher, seeking to reach the Redeemer

Whose outstretched arms protect more distant aerials,

While Magnificent Frigatebirds float higher still and share the view

Our vantage point provides for us. Here the air’s as pure

As that of Delphi. Even if this particular high place

Hardly suggests you’ll come down with a tablet or two.

Maybe a plaited straw hat, or you can dine beneath a parasol

As the city turns to diamonds way below your prosecco

And all you need’s a white suit and a pot pourri of sambas

To entice her back to your fancy pad, there to slip like a snake

Out of the skin of her gown. But you can leave all that till you

Get down. Evening has not fallen yet, although a reddened moon

Is now afloat close to an island breaching the horizon.

It’s amazing really. My grandmother was born in 1870.

My grandchildren might live to see the start of the 22nd  century.

And here I can look out across the background of Brazil:

Hill beyond hill beyond hill beyond hill beyond hill…

From The Runiad, Book 22

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On writing a very long poem

There is no justification for being in a hurry. But at the same time a certain amount of

impatience is necessary, in order for the urge to persevere and finally arrive at

completion to function as an efficient drive. But art is either worthless or priceless,

as Gertrude Stein once said. I must regularly re-read the entire text, and I can easily

spend a day working on a single page, and each tiny adjustment, each iota of

enlightenment pays off for me. The alchemy that results from allowing myself the

time to become aware of what improvements need to be made transforms that page,

turns it into being an authentic part of the poetic entity that is the sole purpose of the

whole. Shiva stands for balance, and has always been the guiding spirit of this poem.

Zeal must be tempered by patience. I need to keep this in mind.

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Two Churches in Rio

Church and market
Tall church and large market

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The Gale

Incoming gale

But now the streets get emptied. Everyone exits.

It’s the rain, mistily thin this afternoon, but still with

The ability to soak one. Rain which began last night,

Drumming in a syncopated fashion on the ventilator fixed

Into my window. Tariffs though are just too dull a subject.

This percussion’s steadied by the slow but steady drip from

A tap into the sink, which generates a different note.

Now whenever there’s a pause, the maze of markets under

Giant trees surges into life crammed into see-through macs

Beneath umbrellas, awnings, sheets of tarpaulin. Still

Everything drips onto reddening cloves of garlic, orange

Oranges and watermelon slices, maize in all its mixtures

Cultivated by the Incas. In some other corner, mounds

Of watches, tools and ancient cameras – all worthy of a forage.

Rained off the beach by another gale, as I enter the

Pedestrian underpass, a middle-aged lady gives me a smile.

It’s wonderful in Rio. No need for a baby-sitter. Mum and dad

Are dancing forro together in the busy square while the kids

Are rushing about, playing tag, leaping walls, boys and girls

Playing together, at 9pm – when it’s cooler. Integrated atmosphere.

Unlike London’s hidden eyes, faces something all ignore.

(work in progress)

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Lavinia – an excerpt from The Runiad published now in The High Window

Lavinia’s yacht

Very pleased that this has now been published in The High Window magazine!

x

Added note:

The completed RUNIAD can now be read by clicking here

This final version contains my own illustrations

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Villa Venturoza – Rio de Janeiro

Villa Venturoza

And now I am drifting, drifting away from the relevance

Of impending affairs, even though there are whole towns

Burning down elsewhere, but here… here old men gather to chat

And play chequers, seated on plastic chairs behind pineapples and pears

Sold by one grizzled hippie, while people are swapping partners

As they dance amateur samba gaffiera in front of the palace

This evening – which feels more like noon to me, jet-lagged as I am.

Everything is plural here in Catete: the blind, the bums,

The breasts, the bags, the bikes, the backs of knees, biceps, back-packs…

Rio is ideal for the flaneur. Imagine holing her!

Some of us go messy, others horny, but it’s too damn hot!

Over-dressy, corny lamé tee-shirts are the thing to wear

When painting toenails in the Sahara.  Here the human torrent

Passes by in plait-extensions. Air-conditioned stores

Lure you in for sneakers, pouches. Everything is multiple…

Arms in arms and polka dots, brilliant bottoms it’s a joy to watch

Until they disappear beyond the swiftly changing lights.

Macrame stalls sell skirts you would never wear in the street.

Her mascara stains her mobile. Tats, palms, beeps,

Charms to keep you nubile after thirty. The witches shake

A kind of rattle, fascinating Dionysus – who they then assassinate.

(from the quarry for The Runiad – a work in progress)

See also – https://anthonyhowelljournal.com/2025/04/02/the-runiad-books-1-to-21/

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Three Trees in Rio

Tree and Market
Tree and Steps
Tree and Traffic

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The Runiad – Books 1 to 21

Lavinia’s Yacht

To read this epic in progress, please click this Heyzine link.

I suggest expanding the image and turning off the sound. Click the bottom corner of the page to turn the pages, and the bar below the book allows you to scroll to whichever book you want to read. Contents pages at the beginning tell you the page number of each book.

I’ve now got to page 511. But there are always lots of adjustments made and polishing previous books being done as I continue my journey.

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My Review of ‘The University of Bliss’ by Julian Stannard

The Fortnightly Review has migrated to SUBSTACK – and here is the link to my review

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The Runiad – Books 1 to 20

Books one to twenty of my epic poem The Runiad are available to read on this Heyzine link.

From Book 20

This blessed Paul, Paul of Thrace, had opted to live in

The most remote cave in the wilderness, so that the Word could be

Heard by any, possibly fleeing from justice, more probably

Fleeing from injustice; yes, even if their flight took them to the

Furthest, most desolate reach of all. Paul had already lived

On earth for a hundred and thirteen years. Antony,

At the age of ninety, occupied another place esteemed remote

(As he himself was wont to declare). Having successfully coped

With his demons, Antony was feeling good. He lived a life

Of solitude that earned him respect. When the thought occurred

That there lived no holier man in the waste; no one more hermetic

Than he, he slept the whole blessed night. No demons.

However, in the stillness of a later night it was revealed

That there was, further into the wilderness, a hermit more

Hermetic than he: a certain hermit Paul, who hailed from Thrace.

And since Paul served the Lord in the most desolate of places,

Antony ought to pay him a visit. So then at break of day

The venerable Saint, supported by a staff, started out:

But what direction to choose he knew not. The point was simply

To start. Scorching noontide came, with a broiling sun overhead,

But still he did not allow himself to be turned from the journey

He had begun. Said he, I believe in my God: some time or other

He will show me the fellow-servant He’s promised me.

He said no more. All at once he beholds a creature of mingled shape,

Half horse half man, called by the poets Hippocentaur.

At the sight of this he arms himself by making on his forehead

The Sign of the Cross, and then exclaims, Holloa! Where in these parts

Is the cave of a servant of God? The monster after gnashing out

Some kind of outlandish utterance in words broken rather

Than spoken through his bristling lips, at length finds a clearer

Mode of communication, and extending his right hand

Points out the way desired. Then he rears, next he careers

Through the trees and vanishes from the sight of the astonished

Saint. But whether the devil took this shape to terrify him,

Or whether it be that the wilderness which is known to abound

In monstrous shapes engenders also that hybrid strain,

We cannot decide. Anyway, Antony was astounded.

Mulling over what he had seen, he continued on his way.

Before long, in a small rocky valley shut in on all sides,

He meets a mannikin with hooked snout, horned forehead,

Cloven hooves like a goat’s. When he saw this, Antony

Militarily seized the shield of faith and the helmet

Of hope: the creature none the less began to offer the fruit

Of the palm-trees to support him and, as it were, offer

Pledges of peace. Antony perceiving this asked who he was.

The answer he received was this: I am a mortal being

And one of those inhabitants of the desert whom the Gentiles,

Deluded by varieties of error, worship under the names

 Of Fauns, Satyrs, and Incubi. I am sent to represent my tribe.

We pray you on our behalf to entreat for us the favour of your Lord

And ours, who, we have learned, came once to save the world,

And ‘whose sound has gone forth into all reaches of the earth.’

As he heard such words from the creature, the aged traveller’s cheeks

Streamed with tears, the sign of his deep rapture;

Tears he shed in the fullness of his joy. He rejoiced over

The Glory of Christ and the destruction of Satan.

Marvelling all the while that he could understand

The Satyr’s language, and striking the ground with his staff,

He said, Woe to you, Alexandria, prostrate before

Unholy beings! Woe to you, harlot city, into which

Have flowed together all the demons of the world!

What will you say now? Beasts speak of Christ, and you instead

Of God worship monsters! He had not finished speaking when,

As if on wings, the Satyr fled away. Let no one scruple

To believe this incident; its truth is supported by

What took place when Constantine was on the throne,

A matter to which the whole world was a witness.

For one half-man of that kind was brought alive to Alexandria

And shown as a wonderful sight to the crowd. Afterwards

His lifeless corpse, to prevent its decay through the summer heat,

Was preserved in salt and brought to Antioch that

The Emperor might see it. Just as freaks were brought to Peter

For his Kunst Kamera in Saint Petersburg. I love to trace

The trajectories of these souls, on earth, back in those early days:

The trajectory of Christopher, of the Centaur whom he meets,

Of Antony, in the vicinity of the cave of Paul of Thrace.

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